This is the Part I Panic Through

I have a book coming out in three weeks, which sounds exciting until my brain gets involved.

Then it becomes a full-time investigation into everything I’ve ever written, edited, deleted, or vaguely thought about at 2 a.m. while staring at the ceiling wondering if I’ve misunderstood storytelling as a concept.

The book is about a runaway princess, a thief with questionable life choices, and a horse who behaves like it is personally offended by authority. It’s short. It’s fast. It’s the kind of story you can read in one sitting if you don’t get emotionally derailed by a horse with boundary issues.

But right now, I’m not thinking about the story.

I’m thinking about everything that comes after.

Because publishing a book isn’t just finishing something. It’s the part where you let it go and hope you didn’t accidentally break it somewhere invisible.

And that’s where I am right now.

If There’s Only One Horse… You Know What’s Coming

You know that moment.

Two characters. One problem. And suddenly — there’s only one horse.

Not ideal. Not comfortable. Definitely not emotionally safe.

The one-horse trope is a staple of romantasy for the same reason the one-bed trope is: it forces two people into unavoidable closeness before either of them is ready for it. But unlike the one-bed situation, which at least comes with blankets and some plausible deniability, the one-horse scenario is immediate chaos. There’s no elegant way to share a horse with someone. You can’t pretend you don’t notice them. You can’t roll to your side of the mattress and stare at the ceiling.

You’re on a horse. Together. Right now. Figure it out.

It’s forced proximity with zero escape plan — and readers love it for very specific reasons.

So… You Think You’d Make a Good Villain?

Create your own supervillain origin story in seconds, take a chaotic personality quiz, and find out which member of the Ladies in Leather you are. Inspired by A Girl’s Guide to Supervillainy, where villains don’t start evil—they start done.

Let’s get something straight. Nobody plans to become a villain. That’s not how it starts.

One minute you’re minding your business, drinking wine with your friends, trying to survive life like a normal, emotionally stable adult…

And the next?

You’re sitting in a booth at your favorite wine bar with four women who absolutely should not be trusted with powers, building a revenge plan, debating leather aesthetics, and casually wondering if arson is a personality trait.

(It is. I checked. No further questions.)

So let’s find out something important:

Would you actually survive as a villain?
And more importantly… what kind would you be?

Because in my experience? (Which completely comes from writing books. I just wanted to clarify.) Villains don’t start out evil.

They start out done.

You Asked. I Answered. (I May Have Overshared.)

What do you actually get when you ask a retired pharmacist turned author — who grew up at a zoo, lived in an RV for two years, and writes from 3 AM to 11 AM — to answer reader questions? Apparently, twenty-three answers and a lot of oversharing.

My readers asked about my writing process, my real-life love story (it involved a broken-down truck and someone’s dad picking us up), where my ideas come from, and yes — the zoo. I answered all of it. Then I added a few questions nobody thought to ask, because apparently I have a lot to say.
If you’ve ever wanted to know what goes into writing romantic speculative fiction, what RV life really looks like, or why there is absolutely no such thing as a writing playlist in this household — this one’s for you.

Top 10 Things I Googled While Writing Mayhem (At least the ones I admit to)

Ever wonder what goes on in an author’s search history?

Fair warning before we get into it: I don’t google things during my first draft. That version looks something like: [Insert Elephant Weight Here]. If I stopped to research every detail mid-scene, I’d never finish the book. Which is probably why my editing takes forever.

Anyway. Here’s the list.